[closed] harvestmere is for lovers
WHO: Val, Wysteria, & A Bunch of Rubes
WHAT: A perfectly uncontroversial fundraiser
WHEN: The first day of Harvestmere
WHERE: The Asgard Estate in Hightown
NOTES: If you received one of Wysteria's invitations at the beginning ofSeptember Kingsway and your character would have agreed to show their face, then here's what they signed up for. With thanks to Ceeeee/Eppy/Beka for the NPC profiles; if we run out of comedy NPCs to match up with, ping me at
prosodi and I'll cram in a few more.
WHAT: A perfectly uncontroversial fundraiser
WHEN: The first day of Harvestmere
WHERE: The Asgard Estate in Hightown
NOTES: If you received one of Wysteria's invitations at the beginning of
Per certain written invitations judiciously dispensed in earlier weeks prior, on the very first day of Harvestmere a bizarre conglomerate descends upon the Asgard Estate in Hightown. And while it's true that the state of the household might be somewhat controversial—it being appointed in a very Tevene fashion in accordance with the taste of its proprietor—, for almost a full hour it seems the evening will proceed in the manner that similar benefits must: doomed to be somewhat stilted, punctuated with rather too much polite laughter and the occasional tactless question, but generally inoffensive for all involved. While the members of Riftwatch and the invited would-be benefactors mingle over respectably appointed boards of hors d'oeuvres and various (entirely optional) dances are led under a string quartet's guidance, Wysteria plays at the role of host in an effort to see that everyone is acquainted and in good spirits be it emotionally or in the liquid sense.
However (for there must be a however), the evening takes rather a sharp before dinner.
At some point, the music recedes and everyone is ushered into an adjacent room where a series of chairs are arranged. One might be expecting someone to play whatever charming instrument is near the front of the room, but alas. Instead, Miss Poppell gives a very charming introduction to the evening's main event - a small auction, the lots of which "You should all be well acquainted with by now, but will secure your seating arrangements for dinner," - and surrenders the floor to Monsieur de Foncé so that the bloodbath may begin.
Each attending member of Riftwatch (excepting Val, Wysteria, and Leander who somehow landed being Wysteria's personal guest rather than a victim of their machinations) will be called up in turn and introduced either very faithfully according to a description they provided or one written for them, and auctioned to the highest bidder. Very stealthy members of the company (or indeed a selection of especially mortified guests) may have an opportunity to slither out a side door once the bidding starts, but it may honestly be less embarrassing to just go with it. Surely everyone's had enough to drink by now to ease any potential sting, correct?
Once the bidding ends, everyone will be shown to dinner where everyone is arranged according to the auction's results so that the "lot" is seated to the left of whomever won their bid and forced to either endure or enjoy their company for the duration of the meal. Afterwards, the party—or whatever remains of it, given various escape attempts or whatever surprise pressing business or headaches might have been claimed in an effort to beat a more polite retreat—retires back to the first room for dessert and drinks, a few rounds of cards, and the last exhausted dregs of conversation before at last winding to a close.
Entertaining? Debatable. Gauche? Perhaps more than one might prefer. But no one dies, so it hardly can be called a disaster as far as Riftwatch interacting with the public goes.
wysteria | ota
If it weren't for the flashing green anchor bright through the netting of her delicate lace gloves and a certain skill for carrying a conversation long past its point of exhaustion, one might be forgiven for at first mistaking the young lady playing at host for someone else. For certainly has Wysteria never seemed quite so fashionable as she does this evening, dressed all in a deep emerald color and studded with the aforementioned lady's second best sapphires - all altogether shockingly flattering picture even as she buzzes about between one knot of people at the next in an effort to jumpstart any lagging conversation. She is all bright smiles and cheer, in a boisterous good humor that is blatantly artificial to anyone who knows her well and pleasantly sweet to anyone who doesn't.
In lieu of feeling any anxiety for the evening whatsoever, she is instead seeing empty hands filled with glasses of (respectable, if not exactly excellent) wine, descending upon unprepared audiences upon which she might foist her slightly overtuned company upon, or engaging anyone who might make the mistake of attempting to blend in too well with the wallpaper in conversation.
For all her assurances that participation in most of the evening's events would be optional, everyone is evidently strictly required to have a pleasant time whether they like it or not.
ii. POST-AUCTION
Given the last minute nature of the seating arrangements, there is naturally some disorder which overtakes the transition from the room in which the auction was held to the dining room. While everyone is sorting themselves accordingly to their name cards on the table, and figuring out which sits and which side of whomever else, there is a very narrow opportunity in which someone might catch Wysteria out as she oversees the controlled chaos of the arrangement.
"Forgive me, Lady Burbidge," she is calling, the woman in question answering with a look so cold that it is a wonder Wysteria doesn't freeze to death on the spot. "Yours is the seat just to your left. Yes, precisely. That one there."
iii. AFTERMATH
Every party, even ones so greviously awkward as this one, has its stragglers. When the last non-Riftwatch hanger on finally departs, Wysteria at last deflates onto one of the gilt laden Tevene-styled settees in the parlor with a glass containing an exceptionally stiff drink. It is, as it turns out, far more pleasant to attend parties than to be in charge of them and despite having sat for an extended period of the course of dinner, this feels like the first moment over the entire evening in which she has been able to breath.
"Well," she says, to no one in particular. "That could have gone far worse."
And then she downs the vast majority of her drink.
iv. WILDCARD
[Ping me at
iii
"My only regret is that the lovely widow Ó Ruadháin didn't seem quite ready to take me home with her. Next time, I suspect."
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Gods, what a relief it is to be finished with this whole hurrah.
—Well. Nearly.
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a break from mingling
Between this, his eyeliner, the mostly effective taming of his hair and the slight blush he's wearing thanks to just one glass of wine, in his own humble opinion, he looks quite fine. It's a shame he's not on the auction roster—a tragic fundraising error.
In his own very humble opinion.
On the spring cleaning project being developed by Enchanters Julius and Leander in seeming perpetuity:
"I don't know that it can be perfected, really—or that either of us would care to say so if it were. Messing about with it is more than half the fun. We ran out of dirty chimneys months ago, besides. There's scarcely anything sensible left to test it on."
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If asked, she might agree with Leander's evaluation - it is a shame he's not on the auction roster, for she imagines he would fetch rather a good price. But selfishly (and rather myopically, given that the whole endeavor is somewhat self serving in the most immediate sense), Wysteria can't help but be a little personally gratified by the arrangement. There is something very satisfying, she thinks, about this arrangement of matching colors and charmingly clever exchanges shared in an alcove that is just private enough to warrant proper discussion of less popular subjects and just public enough to be seen. It makes her feel far more legitimate, in the way that having something no one else does often is wont to do, and guarantees her the pleasure of interesting conversation for the evening. If that isn't worth forfeiting a little coin, then the thesis of the entire evening is undermined before it's even truly begun.
(Anyway, the color in his face is charming.)
"Though for my part, I'd be most interested in the question of duration and how the casting might be modified. I understand that a glyph once written can be triggered by even non-mages - that indeed that is often the desired result. But as for the longevity of the thing itself—I'm curious if you've experimented with modifying how long the glyph might linger if left inactivated."
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Lifting his glass to his teeth, more for the effect of casting an impish look across the rim than an appetite for more wine, "I'm enjoying the notion of Enchanter Julius causing mischief, by the way. Not sure he's the type for it—but then, I've never asked."
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ii
“Lovely evening, Miss Poppell,” he commends, and firms his grip to draw her aside, whether or not she’s turned: “If I could have word.”
He is wearing a nicer gambeson than the usual scat brown affair he lumbers around the yard in. This one is blue, and the buckles are silver, with spots of tarnish in the bends here and there where he couldn’t quite be bothered.
“I have a few concerns I’d like to review with you before you climb out of a window.”
Nothing in his voice betrays anger, but there is a acrid bit of flash to the steel of his eyes when he shows her his teeth, and the sweat at his temples has bristled his whiskers into raised hackles, borderline frenetic.
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"Through a window in this dress? I think not, Captain," she says, the very definition of sincerity and a concession to the frazzled quality in the air about him. "Shall we step out into the hall?"
She's already moving, using her trapped elbow as the hook to guide him by.
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He releases her, the better to square around on high, once they’ve reached an alcove private enough for his liking. They don’t have to go very far. Less far than they probably should, considering:
“I would just like to clarify very quickly whether or not you expect me to bounce around on this old nag or if the gig ends at dinner.”
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mhavos dalat | ota.
aaaaay
For better or worse, Wysteria's sudden descent into the conversation is enough to startle the older gentleman into accepting the trade of glasses. Is it preferable to be rescued, or is it mortifying to have the need for it announced is a tone which carries so well? Neither factor seems to be at the forefront of Wysteria's mind as she turns to Mhavos—
"At least, I assume you will be retaking the position now that your travels have come to an end."
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"Yes, I hope so. I am working on some projects that would need an archivist's approval, and I don't imagine anyone else will bother. But that's of no import-- how have you been, Serah Poppell?"
Please, refresh his memory. All he recalls is 'rifter' and 'mage'.
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This to the older gentleman who, with a fresh glass in his hand, evidently has seen very little reason to linger in the company of an elf and a rifter regardless of one's status the other's role as hostess. He mutters something about having recognized a colleague across the room, and begins to fade away accordingly.
"Well, no matter." Setting the empty glass thoughtlessly onto the edge of a conveniently passing tray, she lowers her voice to the level of conspiracy: "I have overheard one or two of his conversations and they all feature import taxes in some way. He has saved us from being subject to a truly dire economics lesson."
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Val de Foncé | ota
--Or at least, mingling while maintaining an air of casual and expert aloofness that is inexplicably attractive, the sort of attractive one is afforded when one does not care. Valentine de Foncé has been to thousands of excellent dinners. His manners are very good, his jokes clever, and he is managing not to bull the conversation too terribly, unless someone gets something very wrong about one of his pet topics, and then of course how can he help himself.
His arrogance is hardly an act. For when one scans the list of guests which Mademoiselle Poppell had curated--well, Val is a snob in his heart. Surely, he has said (both to himself and to others, aloud) the mademoiselle did her very best, with what she was given. But he always says it very warmly, so that it sounds a compliment.
All of this would be rather difficult to swallow, except he is very good at this behavior, and he looks very good besides, in a coat of deep blue cut in a most fashionable way, and a very fine shirt with a casually loosed collar, and an elegantly knotted cravat. And no mask, of course.
Frequently he can be found leaving the throng of partygoers with a purposeful yet mysterious air, to stand outside in the garden with a glass of wine in his hand. What can it mean?
ii. auction.
When it all really begins, Val is standing beside the door to listen and observe in amusement, and to drink more wine. It is suitably decent, a nice contrast to the house itself, which is entirely too Tevene in its outfittings.
This puts him in the perfect place to intercept anyone trying to leave the room. As the furtive escapee approaches the door, Val sidesteps in, blocking the way, and puts a friendly arm around the shoulder or a gentle hand upon the upper arm.
"But it is only beginning, you see."
iii. post-auction.
Oh, that's right, Val recalls mid-bite of dinner. He does not like parties very much.
Everything has been very good, if a little awkward, which had only added to his personal amusement, of course--and certainly there would be money raised, which is very good, the project demands a certain amount, and his poor dear solicitor will be very glad to hear that he is not shouldering the burden entire--but this is the part of the party where Val remembers that he quite likes attending parties and not hosting, because an attendee can simply leave when he feels the need to.
Then again, he is only semi hosting, and Mademoiselle Poppell--in her delicate gloves, laughing her very fine and false laugh--is the real hostess, and she is quite distracted, and so Val turns from the conversation he is having on his left with Monsieur Causey, with a parting, "You are wrong, monsieur," and to the person sitting on his right, he says, "Take this man."
daisy johnson (ota)
ii
"If you're thinking about trying to make a run for it," John begins, pausing to size her up before looking across the room to where Val de Foncé is loitering innocently near the doorway. "You might as well try it. If you get up enough foot speed I think you could knock de Foncé over."
Which would at least be something interesting to break up the bidding process. John doesn't have hopes of escape, but he does have some objections for the hostess when all is said and done.
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Thinking about making a run for it. Rather, she turns from John to look around the rest of the room, searching for a sign of Leopold Fitz.
"I'm gonna kill the guy who got me into this."
Probably, she won't actually kill him. Probably. But her gaze stops on Val de Foncé when she realizes that's who John had been talking about, and she evaluates him. The shrug of her shoulders seems to agree — if that's the only security, they're definitely not stuck in this, at least.
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Nothing, except that John does actually want Wysteria to succeed in whatever this is. But the hypothetical is still good.
"Which guy was that?"
Unaware of Fitz's existence, John's considerations swing between Val and Leander. He'd assume the former more so than the latter, but there's always room to be surprised.
"I know Leander seems like a pushover, but you'll have an easier time crushing de Fonce than him."
john silver (with bonus madi) | ota.
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Of course he hasn't, but she isn't so biased as to not tease him a little.
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"I think that's an answer in and of itself," he tells her, pressing one hand briefly over his heart. "But I admit, I'm wounded."
Not so wounded that he can't look extremely amused.
"Are you bored?" he asks, marginally more serious.
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Lady Alexandrie
[ In a surprising change of colour palette, when Alexandrie joins the festivities— late enough to make a proper entrance, naturally— she is wearing an Antivan dress in a saturated gold-embellished teal reminiscent of the sea of her recent travels, her hair styled to match, largely freed from its usual upward sweep to cascade in copper curls to her waist.
If she looks rather self-satisfied about it, it's because she is.
A consummate socialite, she flits from conversation to conversation, all shining smiles and light flirtations, conspiratorial whispered intimacies and that bright laugh that carries through the room. She's watching, too, for anyone who looks in need of rescue. Whether you need it or not, she's like to run into you sooner or later.
Like now, with a glass of wine slightly extended in offer. ]
ii. wildcard
(She's around!)
extra mingle, byerly edition
Through all this— the smiles, the laughter, her dance-like circle of the room— the Lady Alexandrie is placed just so. She never looks at him, but... there is always a sightline, she's turned always to her best angles, stands sometimes so she might be easily seen over the shoulder of whomever he's speaking to, flirts gaily somewhere behind him, positioned so he can hear; it is more orbit than circle. A performance for an audience of one.
She is merry with mischief when she finally appears at his side with that offered glass, a warm voice pitched soft between them: ]
Do you like it? I had planned to wear my travelling gown again, but the rain refused to oblige me by coming indoors.
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[ The way he takes the glass is cordially flirtatious. The appropriate sort of gesture for any charming gentleman talking to a charming lady. Lingering, but not too sensual. ]
I suppose, in light of that rudeness, this one is tolerable.
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