Entry tags:
- ! open,
- abby,
- alexandrie d'asgard,
- bastien,
- benedict quintus artemaeus,
- byerly rutyer,
- derrica,
- ellie,
- gwenaëlle baudin,
- james flint,
- john silver,
- julius,
- loki,
- matthias,
- obeisance barrow,
- petrana de cedoux,
- tiffany hart,
- { astarion },
- { dante sparda },
- { emet-selch },
- { james holden },
- { jone },
- { sidony veranas },
- { sylvie },
- { tony stark }
open | holiday spirits
WHO: Whoever, plus some spirits.
WHAT: Everyone spends an evening regretting the past. So basically a normal night.
WHEN: Wintermarch 5-6
WHERE: A castle in the mountains north of Kirkwall
NOTES: OOC post including less vague/pretentious haunting mechanic descriptions. Fantasy violence and swearing and so on are assumed, but please use content warnings in your subject lines for things like explicit gore or sex, slavery content, body horror, etc., if you go any of those routes.
WHAT: Everyone spends an evening regretting the past. So basically a normal night.
WHEN: Wintermarch 5-6
WHERE: A castle in the mountains north of Kirkwall
NOTES: OOC post including less vague/pretentious haunting mechanic descriptions. Fantasy violence and swearing and so on are assumed, but please use content warnings in your subject lines for things like explicit gore or sex, slavery content, body horror, etc., if you go any of those routes.

THE CASTLE
Their convenient shelter from the unexpected blizzard that whips up around them in the mountain pass isn't too convenient. Anyone with a reasonable detailed map will find it marked there; reaching its clifftop location requires a slight detour. When they approach, it has no warm ethereal glow or suspiciously welcoming lit torches. The windows stay dark. The portcullis is raised just high enough to be ducked under, but the heavy doors of the keep don't swing open to welcome them.
The only immediate sign that something is amiss is the thorough, all-encompassing emptiness of the place, and it might take some investigation before that begins to feel strange. The fortress' abandonment seems recent and abrupt: ample firewood has been cut and stacked for the winter, nothing has been done to protect the furniture or strip the beds, the kitchen is fully stocked and even has some perishables that do not seem close to perishing, the stables are equipped to comfortably keep any animals along for the journey, and a chess board before the hearth in the (humble) grand hall seems to have been left mid-game. But there are no messages, no bodies, no footsteps dimpling the crunchy layer of old snow accumulated in the bailey beneath the fresh snowfall.
As they search, the castle's visitors may begin to find signs that the castle hasn't been entirely abandoned. It begins with whispers emanating from the dark ends of corridors, voices they recognize and others they don't, or faces both familiar and unfamiliar flashing in still water or window panes when firelight hits right, or forms moving on the edge of vision but vanishing before they can be looked at directly.
By the time this becomes worrisome enough to drive anyone back out of the castle, the portcullis has fallen shut and won't budge. Neither will any other doors to the outside. The windows won't break; doors won't give way even to makeshift battering rams. The only walls that can be climbed or reached by stairs face out over a deep ravine. It might be a survivable climb, if the wind and weather allowed, but it would not be a survivable fall.
THE SPIRITS
--so back inside, then.
The keep is built like the Gallows' towers, square and tall, and it won't take long for Riftwatch to notice that whatever is wrong is more wrong the higher they climb. The whispers and glimpses on the lowest floor become voices and lingering shadowy figures on the second. Someone might turn and find their hand briefly held by an unfamiliar man's, warm and real for the moment it takes him to say, "Come with me." Or behind them, a woman's shocked and seething voice says, "What are you doing?" Or maybe it's a hand they do know and a voice saying something they've heard before.
As people venture to the higher floors--whether intrepidly seeking the source or involuntarily herded onward by spirits--these moments will begin to last and linger and repeat. And those who don't dare venture higher won't be exempt, confronted by stronger spirits that emerge like ants from a kicked hive as the upper floors are disturbed.
As they approach the uppermost floor, reality will begin to slip away from them. They may find themselves lost in a maze of rooms, even though that shouldn't be possible in so few square feet, and ultimately enveloped in comforting worlds where they didn't do that thing they regret and that, like dreams, feel real until they suddenly don't--until something is too unbelievable, until someone interrupts, or until a demon is holding them under the water of the warm bath they were tempted into, shoving them off a balcony, or whispering into their ears and minds, let me in and you can keep it.
The hauntings will continue until
THE END
When it ends, it ends abruptly. Weaker spirits vanish; stronger ones retreat into the dark. The lesser demons on the upper floors linger, and some may put up a last-ditch physical fight, but without their superior, they've lost most of their mental pull and emotional sway. The castle has changed, too. Its abandonment no longer looks so recent. The food and firewood is gone, along with any sense of warmth or satiety anyone used them to acquire earlier. There is dust where none was before, mildew and rot, and a few scattered, unfortunate skeletons.
The sun is not quite up, the sky a faintly luminescent grey. But the weather is survivable, though it will be slower travel than it would have been without the fresh snow. The doors will open, and the portcullis will raise. Everyone can set off on their cold, hours-long journey back to the city. Talking about their feelings or avoiding eye contact the entire time: the choice is theirs.
no subject
It isn't until she's looking at him that she realizes how strange it is that he's here. Glen Haven wouldn't turn a Rifter away, would welcome him double if he were there at Tiffany's invite. But she didn't invite Astarion--and even if she had, Nestor wouldn't be there to welcome them--Nestor, who is still holding out his hands. Inviting, patient. Home.
"We could ring for lunch." A silly suggestion. She says it without self-consciousness. "The three of us. Are you hungry?"
no subject
Brightened as she looks here, comfortable as she is, he doesn’t dare drag her from this illusion outright. But these aren't his memories. This isn't his own temptation.
He won't sink into it readily, which means he's left to bide his time.
"The two of you."
no subject
"There's another chair." Nestor gestures to it, stood empty and inviting and so overstuffed it looks like it could be sick. "You should both rest. It's been a hard journey, I'm sure, but we haven't got to go anywhere now."
"He was meant to go to the Circle," Tiffany explains, taking over, "but he doesn't have to. All of that's over now. You will stay, won't you?"
no subject
It isn't bad, actually, that plush place to rest. So invitingly soft it almost feels real.
All of this does, actually.
"Why doesn't he need to go to the Circle anymore, exactly?" A careful question, his head tilted just so. "Did something change?"
no subject
She hesitates. The question is simple enough. And if she thinks back, she knows the reason, doesn't she? But she looks to Nestor, either to supply it or to give her some sign of encouragement.
"He isn't a mage at all. It was all a mistake." Her brother nods, wipes the back of his hand over his nose. The blood smears a little. The day he'd left, an Enchanter had been with the templars come to take him. She'd healed his nose so quickly that even to Tiffany it had seemed a minor miracle. "There isn't any point in going to the Circle if he hasn't got any magic, and--"
Nestor is smiling at her, and his nose isn't bleeding any longer, there isn't even a sign of blood on his face, and her chair is so comfortable. If he isn't going to do it, than she should pick up the bell and ring for lunch. Instead Tiffany drags her gaze back to Astarion.
"That isn't right, is it."
Nestor takes a step closer. There isn't anything particularly menacing about it. This is her house--their house, the Harts of Glen Haven.
no subject
It's a beautiful tapestry to be sure: the warmth of everything coalescing into reassuring comfort, calm enough that even Astarion— foreign a creature as he is— would be tempted easily to stay far longer than he should. Better here than in the cold. The wretched dark.
But.
"Was it really a mistake?"
(He doesn't miss that single step, tame as it seems. He doesn't miss anything, in fact, attention flicking casually between Tiffany herself and the memories that wreath her here.)
no subject
Tiffany looks down at her hands. Nestor, smiling--she doesn't need to look at him to know what that looks like. She remembers. If anything, she should look back at Astarion, and keep her gaze there. He's the piece that doesn't fit here, and if she focuses on that, she can remember that this isn't quite right. The house is never this quiet. There is always noise. Even when half the Harts are away, there's noise. Someone should have come along by now and demanded an introduction.
"It wasn't a mistake. He's a mage. It was a little thing--he cast a barrier--" She shakes her head, putting that memory aside. "Magic isn't a mistake. That isn't what I meant either. And the Circles, they're-- I didn't want him to go, of course, but I know it wasn't wrong for him to go."
"I needed to learn," Nestor says, and Tiffany looks back at him even though she shouldn't, drawn by the sound of his voice. She's missed him. This isn't real, but it's nice. "And I was happy to be learning magic. Not at first, it felt like a death sentence at first--but it is a gift. I came to understand that. But she knows all that. I told her when I wrote to her--I was learning everything, anything they'd teach me--the mages were all very kind to me."
He raises his hand. The door closes. It's a heavy door, they're all heavy doors, and the sound of it spoils some of the tranquility of the scene. Tiffany flinches, and Nestor takes another step. He is still smiling.
no subject
It's the doors that do it; old instincts, animal fear— a once-trapped creature fears any corner, no matter how tame, and Astarion was so much that for so very long. So yes, he rises to his feet, his fingertips held near his hips, splayed just slightly, tension living in his shoulders.
He isn't looking at Tiffany, but he hasn't twisted into violence just yet, either.
"Darling, I think it's time we left, you and I."
And, for the record: he isn't speaking to Nestor.