Entry tags:
- ! open,
- abby,
- alexandrie d'asgard,
- bastien,
- benedict quintus artemaeus,
- byerly rutyer,
- derrica,
- ellie,
- gwenaëlle baudin,
- james flint,
- john silver,
- julius,
- loki,
- matthias,
- obeisance barrow,
- petrana de cedoux,
- tiffany hart,
- { astarion },
- { dante sparda },
- { emet-selch },
- { james holden },
- { jone },
- { sidony veranas },
- { sylvie },
- { tony stark }
open | holiday spirits
WHO: Whoever, plus some spirits.
WHAT: Everyone spends an evening regretting the past. So basically a normal night.
WHEN: Wintermarch 5-6
WHERE: A castle in the mountains north of Kirkwall
NOTES: OOC post including less vague/pretentious haunting mechanic descriptions. Fantasy violence and swearing and so on are assumed, but please use content warnings in your subject lines for things like explicit gore or sex, slavery content, body horror, etc., if you go any of those routes.
WHAT: Everyone spends an evening regretting the past. So basically a normal night.
WHEN: Wintermarch 5-6
WHERE: A castle in the mountains north of Kirkwall
NOTES: OOC post including less vague/pretentious haunting mechanic descriptions. Fantasy violence and swearing and so on are assumed, but please use content warnings in your subject lines for things like explicit gore or sex, slavery content, body horror, etc., if you go any of those routes.

THE CASTLE
Their convenient shelter from the unexpected blizzard that whips up around them in the mountain pass isn't too convenient. Anyone with a reasonable detailed map will find it marked there; reaching its clifftop location requires a slight detour. When they approach, it has no warm ethereal glow or suspiciously welcoming lit torches. The windows stay dark. The portcullis is raised just high enough to be ducked under, but the heavy doors of the keep don't swing open to welcome them.
The only immediate sign that something is amiss is the thorough, all-encompassing emptiness of the place, and it might take some investigation before that begins to feel strange. The fortress' abandonment seems recent and abrupt: ample firewood has been cut and stacked for the winter, nothing has been done to protect the furniture or strip the beds, the kitchen is fully stocked and even has some perishables that do not seem close to perishing, the stables are equipped to comfortably keep any animals along for the journey, and a chess board before the hearth in the (humble) grand hall seems to have been left mid-game. But there are no messages, no bodies, no footsteps dimpling the crunchy layer of old snow accumulated in the bailey beneath the fresh snowfall.
As they search, the castle's visitors may begin to find signs that the castle hasn't been entirely abandoned. It begins with whispers emanating from the dark ends of corridors, voices they recognize and others they don't, or faces both familiar and unfamiliar flashing in still water or window panes when firelight hits right, or forms moving on the edge of vision but vanishing before they can be looked at directly.
By the time this becomes worrisome enough to drive anyone back out of the castle, the portcullis has fallen shut and won't budge. Neither will any other doors to the outside. The windows won't break; doors won't give way even to makeshift battering rams. The only walls that can be climbed or reached by stairs face out over a deep ravine. It might be a survivable climb, if the wind and weather allowed, but it would not be a survivable fall.
THE SPIRITS
--so back inside, then.
The keep is built like the Gallows' towers, square and tall, and it won't take long for Riftwatch to notice that whatever is wrong is more wrong the higher they climb. The whispers and glimpses on the lowest floor become voices and lingering shadowy figures on the second. Someone might turn and find their hand briefly held by an unfamiliar man's, warm and real for the moment it takes him to say, "Come with me." Or behind them, a woman's shocked and seething voice says, "What are you doing?" Or maybe it's a hand they do know and a voice saying something they've heard before.
As people venture to the higher floors--whether intrepidly seeking the source or involuntarily herded onward by spirits--these moments will begin to last and linger and repeat. And those who don't dare venture higher won't be exempt, confronted by stronger spirits that emerge like ants from a kicked hive as the upper floors are disturbed.
As they approach the uppermost floor, reality will begin to slip away from them. They may find themselves lost in a maze of rooms, even though that shouldn't be possible in so few square feet, and ultimately enveloped in comforting worlds where they didn't do that thing they regret and that, like dreams, feel real until they suddenly don't--until something is too unbelievable, until someone interrupts, or until a demon is holding them under the water of the warm bath they were tempted into, shoving them off a balcony, or whispering into their ears and minds, let me in and you can keep it.
The hauntings will continue until
THE END
When it ends, it ends abruptly. Weaker spirits vanish; stronger ones retreat into the dark. The lesser demons on the upper floors linger, and some may put up a last-ditch physical fight, but without their superior, they've lost most of their mental pull and emotional sway. The castle has changed, too. Its abandonment no longer looks so recent. The food and firewood is gone, along with any sense of warmth or satiety anyone used them to acquire earlier. There is dust where none was before, mildew and rot, and a few scattered, unfortunate skeletons.
The sun is not quite up, the sky a faintly luminescent grey. But the weather is survivable, though it will be slower travel than it would have been without the fresh snow. The doors will open, and the portcullis will raise. Everyone can set off on their cold, hours-long journey back to the city. Talking about their feelings or avoiding eye contact the entire time: the choice is theirs.
no subject
The doors start clustered up, and Abby has to zigzag from one side to the other to try each handle in turn. None of them work, the castle is fucking with her– but she already knew that, right, because why would a place like this have doors like these? Round doorknobs, smooth and clunky in her hand and then a big, double door at the end with a push bar that she leans on to open up, peering through the plexiglass window as she shoulders slowly through.
The sound is what clues her in, the muffled alarm ringing in the background on loop, and a flash of red light like a film over her vision.
"... Wait–"
Slow, and scared, and bewildered at the change– linoleum now underfoot and large windows that let the dark in. Her chest aches, and she catches her breath suddenly, reaching out blindly for Astarion but not for comfort. To try and push him back, "Not this way."
The words are thick in her mouth. The door is shut behind them both, and won't be opened.
no subject
He smells what he shouldn’t smell. He sees what he shouldn’t see.
There’s a flash of red, and her fear is buckling, and when she pushes into him— strong as she is— he catches hold of her with his own arms, budging by way of her momentum and power, not his own movement.
“Wait. Wait— stop.”
But when she’s at the door, it won’t budge, that door that wasn’t there before in a place that isn’t here, and his hands smooth across her shoulders instead, attempting to garner attention. Red, he remembers, and it almost sounds like Cole, whispering in their ears.
“Where are we? What is this place?”
What are you running from?
no subject
The siren is louder now that she's losing herself to the dark work of the castle, the wail creeping up her spine and nape, causing her to shudder. The red light continues to rapidly flash on and off. On and off, on and off. Her breathing syncs to it, rushing in and out of her. It's like there's something heavy pressing on her ribs, squeezing the air slowly out of her body.
"We can't be here." Her voice is hoarse.
... No, that's not quite right, "You can't be here."
Abby's been here in nightmares so often she's lost count. She was here in real life, when she was sixteen years old. This aching regret belongs to her, not him– why him, when she's kept herself so carefully guarded from him this entire time?
His hands pat at her shoulders, vying for her attention until she looks at him, wild-eyed and uncertain.
no subject
"Do you understand?"
Can she understand? This feels different, now. Not a meandering appariton. Not a trick of the light. Even his ears hurt, sensitive as they are, and it's as though the world around them has a pulsebeat. Sickening and sharp.
Nauseating. All of it.
But it isn't real.
no subject
"I'm always here." She wrenches herself from his clinging grip, and starts to walk down the long hallway, her strides purposeful. She knows the rules. The left turn at the end of the corridor doesn't go anywhere, the only way out is the door at the very end.
He'll have to follow if he wants to get out, too. Abby gathers her uneven breathing and swallows it like something sour, curls her hands into cold fists. The bite of her fingernails in her palm isn't as distracting as it should be.
"Let's get this over with."
no subject
He, what. She's pulled herself free of him, determination singing in her blood if her voice (her posture, her grip, her everything) is indicative of her own mindset, and if he's honest with himself, he doubts there's anything within his abilities that could potentially dissuade her from it.
(Maybe if they were closer. Maybe if she didn't loathe him. Maybe if he wasn't ever at Ellie's side—)
His footsteps are quick as he falls back in beside her, hunched through his shoulders like a crow loping along in the shadow of a wolf, eyes trained dead ahead.
One hand around a dagger at his hip. Just in case.
None of this feels good.
cw description of a dead body...
The door at the end has a handle that does turn, and she pushes it open. She takes them into the room between the two, where red light pools in the surgical basins lining the way to the next door.
Here, she pauses.
"... I don't know what's behind here."
It would be a warning if she could give him more information, but it really could be anything. There's no logic to the list of bodies that take it in turns to pose disturbingly behind the door; she turns its handle before she can lose it, and try to walk him back.
Pushing it open reveals an empty surgical theater, and a body in bloody scrubs laying supine at the altar of the only hospital bed. His nose and mouth is smeared with viscera, gloved hands spread out from his sides. There's a pair of metal scissors just out of reach of his fingers, a macabre little detail Abby has never noticed before. He was probably holding them when he died. She has no idea. She wasn't there, and didn't protect him.
She gasps: a wet, sad sound.
His is the body she sees the most and it still hurts like the day she discovered it.
no subject
'I'm always here.'
This place knows her.
And it's a jagged, rusted pain that comes unhinged the second that she opens the door to that room: her shoulder blocking Astarion from the more immediate sight of bled-out stillness. Of the gruesome aftermath of something that doesn't even quite seem like it'd been a battle— just the emptiness, and the pooling red, and those blaring alarms that've all gone foggy from false distance.
Her gasp sounds like agony, distilled. So familiar that it nearly stings.
He can't tell her it's all right. There's no point pressing that this isn't real. Not when it's laid bare before her, like a footnote of the past, made all the more gruesome perhaps by it.
He can't say much of anything.
So slowly. Cautiously. He reaches out.
And fits a single gloved hand against the edge of her shoulder.
"...breathe, darling."
cw still going
It's real enough that she longs to go to him, to kneel and wipe the blood from his nose and lips with her thumbs. He should have something softer to rest his head on than the floor, but she's scared to touch him. For all she knows that could make it real. What if it brought him here? She can't have him dead in Thedas, too.
Voices thread through the air, tangling–
"Is he still in the fucking building?"
Silence. Then– "Abby." Low, panicked, "Abby, don't look–"
Two clues for the silent spectator she forgot was standing there until his steady hand finds her shoulder, anchoring her to the spot. A third and final rings out from behind them both: her own, agonised keening–
"Dad. Dad!"
Abby crumples, lower lip shivering.
Scrunching her eyes shut won't block out the sound of broken sobbing in the background, but her arms are heavy, leaden with shock. Is it not enough? Is something out there not satisfied with the torture?
"Stop," she whimpers, voice wet with tears, curling inward toward Astarion. She'd put just about anything between herself and the wretched pain, "Stop it, please-"
no subject
He doesn't know what to do.
What has he ever lost that wasn't stolen right from memory itself?
Ripped up and scrubbed out, and left as a gutted little plot devoid of anything at all. If there was someone he loved, he doesn't know them; if there was someplace dear to him, it's nothing but empty space and apathy. She grieves, and how is he— jagged and ruinous and loathesome by nature— meant to do anything to stop the flow of that pain?
This isn't like fawning over weeping nobility. Coaxing their wounded egos, their petty pains. He can't lie his way into settling her bleeding heart, and so...
So when she curls in, Astarion— slighter and shorter— folds his arms around her against the backdrop of a bloody opuscule: gloved fingers cool across the center of her spine, pulling her near enough to rest along his shoulder if she doesn't rail against it. A lighter draw. A cautious one.
He knows what he is.
So does she.
It won't ruin him, if she buckles and balks at his presence, here, of all places.
no subject
There's a persistent sobbing in the background: 'no, no, no'. Owen is in there somewhere, invisible, and murmuring some nonsense shit over and over that she can't understand now, because she couldn't understand it then either. His arms encased her while she cried. Her jaw hurts so much from clenching her teeth that her mouth tastes like blood.
Astarion's is a far warier touch. Abby could hit him.
It's an ugly response, but she built herself to hurt, and break people. It's all she knows how to do. She grabs at his shirt to yank him back, fingers snarled in the fabric and–
can't bring herself to rip him away.
Because right now, as insane as it seems, she needs him. She needs somebody to keep her from drowning.
So she holds on. She makes two fists in his shirt, and holds on desperately against the rising tide. She anchors herself to him tight, and drops her head onto his shoulder with a wet huff of breath, shivering. Surrendering.
Just until it stops.
no subject
It takes so much bloody time for that entirely crushing overture to subside— or perhaps that's just the effect grief has, even in stitched-up memory: seconds turn to torturous minutes, ticking on in agonizing slow-motion. Each moment that passes is one where he waits (one gloved hand pressed across the back of her neck, fingers splayed beneath the base of her skull, keeping her close— shielded in some brittle sense of the word) for her to suddenly rally and rail against his presence, rejecting it like a fresh bout of nausea. Impulsively prone to spurn at all cost.
...but that moment never comes.
The silk of his shirt protests in her shivering grasp, threatening to tear at times. It cuts against his collar from tension— but in the end, the spirits' hollow efforts ebb at last, washing away piece by painful piece, until all that remains is the cold and the dark, and the both of them left standing within it, hollow corridors ringing with wailing wind.
Ash.
But no blood.
And he keeps her held a touch longer, still, though his grip eases slightly. Though his breathing is narrow and careful, as though trying to keep from displacing dust atop a well-shut tomb.
"...it's all right." Is the tentative murmur he manages, when his fingers have gone numb from the cold (and her own must be aching by now, given how fiercely she's clutched him).
no subject
The one, dull comfort: her petrified fists in Astarion's shirt keep her from trying to reach out and grab him.
Abby heaves in, gulping air like she's only just remembered how to, and they are standing in a stone corridor. The hospital is long gone.
The red light has faded to twin bright spots that bloom violently on the undersides of her eyelids when she closes them tight, and when she finally realises that low, wrought sobbing is coming out of her mouth, it stops.
It is very decidedly not alright.
But she doesn't let go until she needs to, and then, she can't look at him. Hot shame threatens to swallow her whole and if she sees any measure of pity in his eyes, she will shatter apart; it's for everybody's safety that she keeps him at arm's length while she gathers herself. Wiping her eyes hurts, the skin beneath them tender. For a long time, it's hard to know what to say.
"... This stays between you and me."
Not a threat; she knows perfectly well who he is. He's going to talk about it if it benefits him but maybe she ask him, plainly, not to, and it will appeal to whatever is left of his goodness. Her jaw is set, but she isn't angry. She is exhausted, and lost. Grieving the inevitable.
no subject
And how keenly he could use it.
And she knows that, too. He sees it lurking at the corners of her reddened stare, salt-sting clinging to her face beneath the sudden hollows of her eyes. The arch of her cheeks. They’re wary things, the both of them, habitual and instinctive at their core— he doesn’t begrudge her that.
He doesn’t loathe her enough that some part of him insists she suffer.
So. As she swipes at her face and pulls away from him in every possible sense, leaving her settled in her shadow again, he breathes:
“Agreed.”
And that’ll be the end of it; silence the only other thing to stick in its wake as they— freed of rotten magic and its hold— work to find their way out once more.
Secrets leashed between them.