Entry tags:
- ! open,
- abby,
- alexandrie d'asgard,
- bastien,
- benedict quintus artemaeus,
- byerly rutyer,
- derrica,
- ellie,
- gwenaëlle baudin,
- james flint,
- john silver,
- julius,
- loki,
- matthias,
- obeisance barrow,
- petrana de cedoux,
- tiffany hart,
- { astarion },
- { dante sparda },
- { emet-selch },
- { james holden },
- { jone },
- { sidony veranas },
- { sylvie },
- { tony stark }
open | holiday spirits
WHO: Whoever, plus some spirits.
WHAT: Everyone spends an evening regretting the past. So basically a normal night.
WHEN: Wintermarch 5-6
WHERE: A castle in the mountains north of Kirkwall
NOTES: OOC post including less vague/pretentious haunting mechanic descriptions. Fantasy violence and swearing and so on are assumed, but please use content warnings in your subject lines for things like explicit gore or sex, slavery content, body horror, etc., if you go any of those routes.
WHAT: Everyone spends an evening regretting the past. So basically a normal night.
WHEN: Wintermarch 5-6
WHERE: A castle in the mountains north of Kirkwall
NOTES: OOC post including less vague/pretentious haunting mechanic descriptions. Fantasy violence and swearing and so on are assumed, but please use content warnings in your subject lines for things like explicit gore or sex, slavery content, body horror, etc., if you go any of those routes.

THE CASTLE
Their convenient shelter from the unexpected blizzard that whips up around them in the mountain pass isn't too convenient. Anyone with a reasonable detailed map will find it marked there; reaching its clifftop location requires a slight detour. When they approach, it has no warm ethereal glow or suspiciously welcoming lit torches. The windows stay dark. The portcullis is raised just high enough to be ducked under, but the heavy doors of the keep don't swing open to welcome them.
The only immediate sign that something is amiss is the thorough, all-encompassing emptiness of the place, and it might take some investigation before that begins to feel strange. The fortress' abandonment seems recent and abrupt: ample firewood has been cut and stacked for the winter, nothing has been done to protect the furniture or strip the beds, the kitchen is fully stocked and even has some perishables that do not seem close to perishing, the stables are equipped to comfortably keep any animals along for the journey, and a chess board before the hearth in the (humble) grand hall seems to have been left mid-game. But there are no messages, no bodies, no footsteps dimpling the crunchy layer of old snow accumulated in the bailey beneath the fresh snowfall.
As they search, the castle's visitors may begin to find signs that the castle hasn't been entirely abandoned. It begins with whispers emanating from the dark ends of corridors, voices they recognize and others they don't, or faces both familiar and unfamiliar flashing in still water or window panes when firelight hits right, or forms moving on the edge of vision but vanishing before they can be looked at directly.
By the time this becomes worrisome enough to drive anyone back out of the castle, the portcullis has fallen shut and won't budge. Neither will any other doors to the outside. The windows won't break; doors won't give way even to makeshift battering rams. The only walls that can be climbed or reached by stairs face out over a deep ravine. It might be a survivable climb, if the wind and weather allowed, but it would not be a survivable fall.
THE SPIRITS
--so back inside, then.
The keep is built like the Gallows' towers, square and tall, and it won't take long for Riftwatch to notice that whatever is wrong is more wrong the higher they climb. The whispers and glimpses on the lowest floor become voices and lingering shadowy figures on the second. Someone might turn and find their hand briefly held by an unfamiliar man's, warm and real for the moment it takes him to say, "Come with me." Or behind them, a woman's shocked and seething voice says, "What are you doing?" Or maybe it's a hand they do know and a voice saying something they've heard before.
As people venture to the higher floors--whether intrepidly seeking the source or involuntarily herded onward by spirits--these moments will begin to last and linger and repeat. And those who don't dare venture higher won't be exempt, confronted by stronger spirits that emerge like ants from a kicked hive as the upper floors are disturbed.
As they approach the uppermost floor, reality will begin to slip away from them. They may find themselves lost in a maze of rooms, even though that shouldn't be possible in so few square feet, and ultimately enveloped in comforting worlds where they didn't do that thing they regret and that, like dreams, feel real until they suddenly don't--until something is too unbelievable, until someone interrupts, or until a demon is holding them under the water of the warm bath they were tempted into, shoving them off a balcony, or whispering into their ears and minds, let me in and you can keep it.
The hauntings will continue until
THE END
When it ends, it ends abruptly. Weaker spirits vanish; stronger ones retreat into the dark. The lesser demons on the upper floors linger, and some may put up a last-ditch physical fight, but without their superior, they've lost most of their mental pull and emotional sway. The castle has changed, too. Its abandonment no longer looks so recent. The food and firewood is gone, along with any sense of warmth or satiety anyone used them to acquire earlier. There is dust where none was before, mildew and rot, and a few scattered, unfortunate skeletons.
The sun is not quite up, the sky a faintly luminescent grey. But the weather is survivable, though it will be slower travel than it would have been without the fresh snow. The doors will open, and the portcullis will raise. Everyone can set off on their cold, hours-long journey back to the city. Talking about their feelings or avoiding eye contact the entire time: the choice is theirs.
no subject
Bastien looks faintly embarrassed, but more proud. Pleased. It feels right, like the sort of impression he'd give someone about Byerly if he had anyone he felt free to gush to. So he doesn’t hiss a scolding Vincent at having his confidence betrayed. He squeezes By’s elbow for a pulse and says, “Don't be sacrilegious. The Maker invented music. By perfected it."
But Vincent only hums, not quite amused, and Bastien's smile half fades in answer.
"From everyone else?"
Beneath the mask of Vincent's face, the demon can't resist its own particular nature. When it reaches out to rifle through them for specifics, it isn't drawn to sunshine or songs.
“You're a runaway. You ran from your family in Ferelden, and from—what, some embarrassment? From embarrassment, in Val Royeaux. From your mistakes in Antiva." His gaze flicks to Bastien. The calculating expression isn't alien, on Vincent's face, but Bastien's never been the target of it before. "You two have a lot in common that way. You're only there until it's hard." The dark, broken veins are appearing again beneath his eyes. "Is there a betting pool for which one of you will run from this?"
no subject
Which - is likely supposed to give Byerly strength and resilience. Would do so if By were a little more rational. But paranoia is a part of his mind, no less than anything else, and so seeing that honesty actually deals a blow to Byerly's sense of self, robs him of his wits.
So thank the Maker that the demon brings Byerly right back to himself by being nasty. If he'd chosen some bit of kindness, then Byerly likely would have remained off-balance. But casual cruelty - well. That gives him his feet again. He knows well how to deal with casual cruelty.
"He stayed with you, dear Vincent," By points out. "Even as you strung him along and abused his good heart." He turns his eyes on Bastien, and his gaze softens. "And he's stayed with me, even though it is hard with me. Even though it can be."
no subject
Vincent doesn't have to say he didn't stay. (Or maybe it would be he left me hanging, a pun fit for the terrible novels Bastien devours.) His face says it for him, swelling and discoloring. The opportunity for Bastien to smile at By and assure him it's a pleasure passes by, unused, because Bastien catches a glimpse of that change from the corner of his eye and turns his face into Byerly's shoulder instead.
Vincent rattles in a gasp through his constricting neck and says, "You, then. You'll run. Or you'll use him more than I ever did, you hypocritical, sniveling cowa—"
"That's enough," Bastien says. Awake now, breathing in the real scent of Byerly's clothes. But he doesn't look. There's a painting of Vincent, with his wife and his daughters, hanging in their parlor, but he may never see it again. This could be the last time Bastien sees his face, and he doesn't want to see it like this.
"Coward," Vincent finishes anyway, before changing tacks, instantly, eerily plaintive instead of vicious: "Don't leave. I'm sorry."
no subject
(He'd thought it would feel good to spit on Vincent. But it just feels miserable and empty. He feels like he's done Bastien wrong. It feels wretched.)
But the creature is still speaking. In that horrible, thick, choked voice. It's easier to close your eyes than it is to close your ears, terrible thing, so -
Byerly takes a breath, and starts to sing. It'd probably be sweeter and more tender and more comforting if he sang an Orlesian lullaby, but instead, the first song that comes to his lips is a loud, bawdy drinking song. It won't silence this demon, but it'll give Bastien something else to listen to.
no subject
It's trying to change shape to prove it, to reverse the swelling and bruising. But it doesn't have the strength anymore. Every other pleading word is lost under Byerly's ridiculous song, and there's nothing that can make Bastien not regret the fact that Vincent is dead, but there are things that overshadow it. He's crying a little, but he laughs, too, huffing and silently mouthing along to the punchline of the chorus against Byerly's sturdy winter traveling clothes.
Winter creeps back in. Lydes recedes, the sun dims until it's gone. They're in a castle in the Free Marches. The thing that was Vincent, struggling to latch onto another regret, for a moment looks like a dozen different people, then like none of them. Just a shadow with too many teeth, which is uses to hiss before it dissipates, in search of someone else to bother.
Bastien doesn't move his head. Counting the number of times he's sincerely cried, even just since coming to Kirkwall, would require the use of both hands. But the number of times he's let anyone else see any evidence he's cried requires no hands. But into the silence, muffled against leather and/or fur, he says, "By? Is it gone, or are we about to die?"
no subject
"We're all right. And I'd fight it off if we weren't." His hand comes up to rub gently at the back of Bastien's neck, finding some relief in the simple tactile stimulation of the short-bristled hairs there. It feels real. Maybe that's a way to anchor themselves, to keep from getting lost in it again...trail fingers over familiar warts and stubble and scars, see if they match up. Would be less painful than this.
He doesn't move. Honestly, he'd sooner face the demon again than pull away while Bastien is buried against him like this. He just waits for Bastien to move.
no subject
"Monsieur le coeur vaillant," is a delayed response. He dabs his cheek with the little hem of soft, exposed fur on his gloves, the ones Byerly got him, but warmth is peeking through on his face, through everything else. Almost a smile. "He wasn't like that. He was—" What Vincent was like is besides the point, and something he doubts Byerly wants to hear, especially at the moment. What he's trying to say is, "If he were really here and he really talked to you like that, that would be—that would be it, you know, that—"
He takes a breath and a pause to stop himself from further verbal fumbling.
"Are you alright?"