Entry tags:
open.
WHO: Ellis + OTA
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
GALLOWS
Normally, Ellis lays out his mending across Wysteria's kitchen table, well away from open flame or acid-based chemicals, but close enough to participate in the rise and fall of conversation between Wysteria and Tony and sometimes Fitz. It had become a comfortable routine.FIELD WORK
But the dream rattled something loose, enough so that Ellis has instead taken up space close to the fire with a small pile of items set on a stool to be repaired. Noose has made an appearance, claimed Ellis' booted foot as resting place for a lazy nap. Intermittent twitches and small yips punctuate the work.
He'd been whistling softly, but the song tapers to a halt at the approach of a third party. There's a beat of quiet, Ellis' eyebrows raising in silent question. There is a second chair, but surely Noose is the bigger draw between them.
"Aye?" comes slowly, prompting, as Noose slits open one eye to assess the newcomer before yawning almost comedically loudly in punctuation.
In his experience, Tantervale is almost always muddier than it should be. The passing snowfall has turned the roads to chilly slush, and the spatter of it has streaked horse and rider thoroughly long before they've made their way to the spot marked on the map and discovered the ruins in question are set further beyond the scrubby, barren spate of trees. One crumbling tower is visible from the road, the only sufficient marker guiding them forward.WILDCARD.
So far, no one has been obliged to dismount. And once off the road, the chance of mud splatter is greatly reduced. Small blessings.
"Are we certain there's anything of value to be found?" Ellis questions mildly. It's a little late to abandon the venture, regardless of mud, snow drifts and dubiously accurate maps. But exactly what they're recovering could stand to be clearer. "Long lost valuables from the Viscount Aravind's forefather's collections" isn't as helpful as Viscount Aravind might have considered when lodging his request with Riftwatch.
( do literally whatever you want, i'm not the boss of you. )
no subject
Why does he want to talk about it here?
He cuts a glance away for eavesdroppers, and in so doing, makes them all the more conspicuous to anyone who might be so inclined.
no subject
Forget what we discussed is on the tip of his tongue. It is a struggle not to simple blurt it out, overeager and clumsy. Instead, he waits as they wind their way along the cobblestones, lets the urge quiet into something manageable.
"I owe you an apology," is the first attempt. Ellis hesitates in the wake of it, unsure of the words. "I burdened you, and I shouldn't have done. Dream or no."
It is a deliberate choice to focus on what he had imparted, not what Richard had shared in kind. If Ellis pauses too long to try and consider whether or not he's inclined to hold a grudge on Tony and Wysteria's behalf, this entire conversation grows more complicated.
no subject
There is often a particular specificity to Richard’s choice of words.
No different, here. The next look he exchanges over in aside is just as wary as the last, poise scuffed and rubbed thin beneath the suggestion of forgiveness in advance, still actively fraying at the fringes when he abruptly drops anchor. He stops walking.
The architecture of Hightown is crisp in the cold and snow. Dick scans the rooftops as if in search of a sniper over the narrow street, breath puffed unsteady from the billows of his fur-cloaked shoulders.
“I don’t think I can do this right now.”
He sets his eyes osprey bright back on Ellis.
This feels more courteous than just walking away.
no subject
"You don't have to."
Ellis is an easy man to disengage from by design. His request can wait, by and large because he doesn't expect Richard to be a man who gossips. (If he had thought Richard such a person, he wouldn't have sought him out in Ghislain, and certain other conversations wouldn't have followed.) And it's not in Ellis' nature to press him beyond that he's capable of bearing. Richard has never drawn anything from Ellis that he hadn't passed over willingly, and he deserves the same in return.
no subject
But it’s brief.
A twitched nod of agreement, unspoken apology thawing in through the frozen beat it takes him to unhitch, and he breaks away to clip off down the street. Back into the depths of the market, where the channels of bare cobblestone beat into the slush will eventually make his progress impossible to follow.