Entry tags:
open.
WHO: Ellis + OTA
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
GALLOWS
Normally, Ellis lays out his mending across Wysteria's kitchen table, well away from open flame or acid-based chemicals, but close enough to participate in the rise and fall of conversation between Wysteria and Tony and sometimes Fitz. It had become a comfortable routine.FIELD WORK
But the dream rattled something loose, enough so that Ellis has instead taken up space close to the fire with a small pile of items set on a stool to be repaired. Noose has made an appearance, claimed Ellis' booted foot as resting place for a lazy nap. Intermittent twitches and small yips punctuate the work.
He'd been whistling softly, but the song tapers to a halt at the approach of a third party. There's a beat of quiet, Ellis' eyebrows raising in silent question. There is a second chair, but surely Noose is the bigger draw between them.
"Aye?" comes slowly, prompting, as Noose slits open one eye to assess the newcomer before yawning almost comedically loudly in punctuation.
In his experience, Tantervale is almost always muddier than it should be. The passing snowfall has turned the roads to chilly slush, and the spatter of it has streaked horse and rider thoroughly long before they've made their way to the spot marked on the map and discovered the ruins in question are set further beyond the scrubby, barren spate of trees. One crumbling tower is visible from the road, the only sufficient marker guiding them forward.WILDCARD.
So far, no one has been obliged to dismount. And once off the road, the chance of mud splatter is greatly reduced. Small blessings.
"Are we certain there's anything of value to be found?" Ellis questions mildly. It's a little late to abandon the venture, regardless of mud, snow drifts and dubiously accurate maps. But exactly what they're recovering could stand to be clearer. "Long lost valuables from the Viscount Aravind's forefather's collections" isn't as helpful as Viscount Aravind might have considered when lodging his request with Riftwatch.
( do literally whatever you want, i'm not the boss of you. )
gallows.
She does not sit in the chair aside from... Eli? Elias? It doesn't matter. She has a point to make. It's a stupid one, and she knows it, but people pick scabs regardless of age and temperament.
She does not sit in the chair next to him. She stands, leaning forward, her elbows on the back of an empty chair.
"Oi, lad," she says, voice heavy with an accent that says Fereldan and city and poor for those with ears to hear it. She raises a hand to point at his work. "Dangerous stuff, that."
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"I've survived worse," Ellis counters, as Noose readjusts position over his boot. He'd paused in his work, and now gently tugs the last stitch tight before lancing the needle through a pinched fold of cloth. His attention redirects to her, hands falling still over the tunic in his lap.
"You can sit, if you need."
If it's that kind of conversation.
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She sighs, stretches her hands out, leans on the upholstery and doesn't sit down. "I'll have you know," she says, head lolling to one side as she cracks a vertebra in her neck, "the little elf ginge packs a strong wallop. Nothing broken, but I had it all stitched up 'cos I couldn't stand the thought of disappointing your quite lofty ideas about me wellbeing."
It's a lot of words for a 'fuck you' and 'I don't know what to say'. There's a connection between them now, the worst kind, because Jone suspects it exists only in her head. Kind boys with sad smiles from Ferelden are a dying breed, and there's a reason for that.
"Oh, bugger it, gimme a sock to darn before I break down." She moves foward enough to finally sit down, sidestepping the dog easily (she's seen plenty of dogs! She's not that much a stereotype, Maker Almighty.)
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field work
He smiles hopefully.
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Something they'll haul back and witness a dramatic opening of, perhaps. That kind of diplomatic turn is rarely Ellis' business. Dragging something out of snow and mud, that's exactly the kind of thing he's good for.
Theoretically. Normally there's a bit more instruction.
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But it's not a thing one just does willy-nilly, especially when it's been a secret for this long. Ellis doesn't seem like the tattling sort-- he's got a genuine air about him, a serious man with little time for gossip, but there's always a chance of instincts being misled.
"I don't suppose you brought a shovel," Mado says with well-maintained cheer.
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tony.
It's a short span of time between jolting awake in his own bed with the weight of an eerily real dream in his head to scrambling for his boots. The door to his room bangs behind him. The urge is potential irrational. Ellis knows that even as it propels him all the way to the next tower to the door of Tony's room, where he proceeds to hammer at the frame with increasing intensity.
Can Ellis break down a door? This may be the morning we find out.
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But not completely. There is a part where he remembers how to untwist the reactor from the centre of his chest. Its weight and odd warmth in his palm, pulsing, before—)
BANG BANG BANG.
Tony sits up as if powered by springs, hands poised. Sits there for longer, absorbing the familiar dimensions of his own Gallows room, the room he has in the Gallows, which is in Kirkwall, while banging rattles the door to his Gallows room in Kirkwall, adrenaline doing some kind of weird hiccuping spike that compels him to throw off the covers, grab a shirt, throw that over his head and struggle through it as he stumbles for the door. "What. Don't, you're gonna—"
He twists key in lock and flings the door wide, wildly disheveled and still sleep-stupid but conscious. "What kinda time do you call this?"
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The extreme dissonance of both knowing without question that he saw Tony yesterday and he looked much the same, and that he also witnessed Tony die not so long ago stalls Ellis for a moment. He hesitates over the threshold, eyes wide. His heart is beating very hard.
"I just—I thought—"
You died.
Ellis doesn't say it. The absurdity is catching up to him, even as the intensity of relief at realizing it had only been a dream nearly takes him out at the knees. Ellis puts a hand on the doorframe, exhaling hard.
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holden.
"Yours?" comes the question, in lieu of greeting. Noose comes skittering around the corner, blowing past Ellis' legs to snuffle at Holden's ankles. The horse in question doesn't register as worthy of inspection, apparently.
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"Apparently," he adds, looking up. The horse is all dappled grey, dark-maned, and thankfully sweet-tempered. She tolerates this distraction from the brushing she'd been getting with only a nicker and a watchful eye on the interlopers. "I was told she needed someone to look after her."
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snek.
And yet—
Without ceremony or preamble, Ellis falls into step beside Richard. Richard could be forgiven as well, if he assumed there would be no forthcoming greeting or query. Maybe they simply walk in silence together until their paths part.
"Do you have a moment?" breaks that illusion, said in the wake of two squabbling older men jostling their way past. There's no real expectation on Ellis' face, no hope for a particular answer. Richard may say no. Ellis would leave him be if that were the case.
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The jolt of his shoulder against a passerby knocks him out of lockstep, and so out of his pinhole focus on the mill of the crowd ahead. He feels for his satchel, and looks to Ellis, because he is being spoken to, and it’d be rude not to.
“Of course.” He furrows his brow, borderline skeptical of the question.
Why wouldn’t he? Here, stopped in the flow of market traffic.
At least he declines to partake in the song and dance of an oh sorry I didn’t see you there. He’s not much less scruffy than he was in Haven, either -- however many days it’s been. He has the look of a housecat who’s spent a week on the lam: bright in the eyes, rough-groomed, a little brittle.
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WILDCARD
"Here you are," she says when she finds him, pulling a little wrapped bundle out of her habit pocket as she does, "And here are the heating stones. Remember to be careful when you take 'em out of the fire and watch for cracking, but they should last a bit before that. Now let me see your kit."
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The common area of the Gallows, with his satchel on the bench beside him and a book set out on the table. Ellis closes it as she arrives, nudging it aside as he accepts the parcel.
"Thank you," is what he says first, because it's a kindness. Sara has tended his hands before, and the stones will make life a little more bearable through the biting cold of winter.
Trading the bundle for a leather-bound kit, Ellis plucks at the worn strap holding everything in place and unrolls it along the table. He turns it alongside for inspection, each item secured to the leather with a strap, bottles of elfroot and honey and other assorted herbs, needles, a small, very sharp dagger—
"Used the bandages," Ellis says first, around a smile. "So you don't think I'm overlooking the obvious."
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wildcard;
"If I ask you a personal question," Huff, puff. He is not paying a great deal of attention to the knife. "Will you duck it, or tell me an outrageous lie?"
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"What do you want to know?"
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a card of wild design;
"Good morning!" Comes the cheerful announcement from the other side. "Someone in the kitchen decided on sausages, egg, and cheese on a croissant with greens for breakfast, and they're going fast, so I bought you some."
It's obviously Adrasteia, and it didn't even occur to her to announce as such.
arrives to this extremely late
"That's kind," is what Ellis tells her, in lieu of good morning. "Come in?"
As it occurs to him he doesn't know exactly whether this is a delivery or a visit. He's never had visitors to his room, which only occurs after he's made the invitation.
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puts shamed hand over timestamps
squeezes hand instead
my shameful snail pace continues
there is no judgement here, especially over pace 💖
bless u
/blows kisses in your direction
field work adjacent wildcard (hmu if you want any adjustments)
"Good morning," he calls, catching sight of the Warden he's looking for and adjusting his path to intercept. "Do you have a moment? If I've been informed correctly, you were among those on the errand to Viscount Aravind's ancestral holding." It sounds fancy when put that way.
no it's perfect
"Aye," he answers. "Myself and another. Mado."
It is by sheer grace that Ellis recalls the right syllable to end on.
"It was in poor condition, worse than Viscount Aravind let on," might sound like a complaint, but is really just the only detail that comes immediately to mind. "Why?"
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puts hand over timestamp shamefully
I won't tell if you won't
bears @ tony.
"As promised," Ellis greets, all four legs of the chair coming to ground, elbows settling onto the table. "They've the good stew tonight as well."
An uncomplicated piece of good news. Surely that will be well-received.
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The reality is that he comes through the door of the tavern and Ellis can mark immediately that the other man was likely exaggerating his troubles on the other end of the crystals, at least to some degree. He approaches, does a pair of grimly slow and silent victory arms at this pronouncement of the good stew, and sits down.
Hovering his hands over the two cups of beer, he asks, "Which one's which?"
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griffons.
Thranduil tossed another scrap and watched the griffon as she did the particular neck wiggle native usually to birds that passed for a swallow, and turned to Ellis, already re-securing his coat.
"Another half-hour aloft today," he suggested, reaching for Coupe's reins, stomping the mud off his boots. "And then tomorrow, we return to the others empty-handed."
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When Ellis continues, "They can't have vanished," in the course of adjusting the straps Butterball has been rigged into, it's a hopeful thing. So they come back with next to nothing. Surely one of the other pairs will have some clue to be chased after.
"But once we know where they are, what do we intend to do?"
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