Entry tags:
open.
WHO: Ellis + OTA
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
GALLOWS
Normally, Ellis lays out his mending across Wysteria's kitchen table, well away from open flame or acid-based chemicals, but close enough to participate in the rise and fall of conversation between Wysteria and Tony and sometimes Fitz. It had become a comfortable routine.FIELD WORK
But the dream rattled something loose, enough so that Ellis has instead taken up space close to the fire with a small pile of items set on a stool to be repaired. Noose has made an appearance, claimed Ellis' booted foot as resting place for a lazy nap. Intermittent twitches and small yips punctuate the work.
He'd been whistling softly, but the song tapers to a halt at the approach of a third party. There's a beat of quiet, Ellis' eyebrows raising in silent question. There is a second chair, but surely Noose is the bigger draw between them.
"Aye?" comes slowly, prompting, as Noose slits open one eye to assess the newcomer before yawning almost comedically loudly in punctuation.
In his experience, Tantervale is almost always muddier than it should be. The passing snowfall has turned the roads to chilly slush, and the spatter of it has streaked horse and rider thoroughly long before they've made their way to the spot marked on the map and discovered the ruins in question are set further beyond the scrubby, barren spate of trees. One crumbling tower is visible from the road, the only sufficient marker guiding them forward.WILDCARD.
So far, no one has been obliged to dismount. And once off the road, the chance of mud splatter is greatly reduced. Small blessings.
"Are we certain there's anything of value to be found?" Ellis questions mildly. It's a little late to abandon the venture, regardless of mud, snow drifts and dubiously accurate maps. But exactly what they're recovering could stand to be clearer. "Long lost valuables from the Viscount Aravind's forefather's collections" isn't as helpful as Viscount Aravind might have considered when lodging his request with Riftwatch.
( do literally whatever you want, i'm not the boss of you. )
field work adjacent wildcard (hmu if you want any adjustments)
"Good morning," he calls, catching sight of the Warden he's looking for and adjusting his path to intercept. "Do you have a moment? If I've been informed correctly, you were among those on the errand to Viscount Aravind's ancestral holding." It sounds fancy when put that way.
no it's perfect
"Aye," he answers. "Myself and another. Mado."
It is by sheer grace that Ellis recalls the right syllable to end on.
"It was in poor condition, worse than Viscount Aravind let on," might sound like a complaint, but is really just the only detail that comes immediately to mind. "Why?"
no subject
He sounds a bit resigned, though not truly put out. After all, Ellis and Mado were the ones who had to sift through the place. Aravind won't be the first man Julius has had to lightly bullshit for a good cause, if it comes to that.
no subject
There's no reason to say plainly that the request had been more or less a whim they'd indulged. Julius is an intelligent man, and Ellis has the impression he's dealt with similar flights of fancy. Diplomacy likely sees far more of them than Forces.
A beat, then Ellis adds, "If you think it'll help, you might substitute bandits for travelers."
no subject
"I am sympathetic that you got sent on a fool's errand. I hope at least I'm able to make sure that it keeps us a useful contact, if nothing else. Still, I assume you can think of better ways to use your time." From his tone, the sympathy is at least genuine.
no subject
"That's kind of you to say," is what Ellis says aloud. "But I don't mind going where I'm needed."
Which is fairly flexible, when his main skill is lifting heavy things. However—
"If you've time to spare, I've a question for you. Related to Project Sashamiri."
no subject
puts hand over timestamp shamefully
It's easy to see what's motivated the conversation. Ellis' voice is steady, but the seriousness of the subject has colored over his expression.
"Is it something you're looking into?"
I won't tell if you won't