Entry tags:
open.
WHO: Ellis + OTA
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
GALLOWS
Normally, Ellis lays out his mending across Wysteria's kitchen table, well away from open flame or acid-based chemicals, but close enough to participate in the rise and fall of conversation between Wysteria and Tony and sometimes Fitz. It had become a comfortable routine.FIELD WORK
But the dream rattled something loose, enough so that Ellis has instead taken up space close to the fire with a small pile of items set on a stool to be repaired. Noose has made an appearance, claimed Ellis' booted foot as resting place for a lazy nap. Intermittent twitches and small yips punctuate the work.
He'd been whistling softly, but the song tapers to a halt at the approach of a third party. There's a beat of quiet, Ellis' eyebrows raising in silent question. There is a second chair, but surely Noose is the bigger draw between them.
"Aye?" comes slowly, prompting, as Noose slits open one eye to assess the newcomer before yawning almost comedically loudly in punctuation.
In his experience, Tantervale is almost always muddier than it should be. The passing snowfall has turned the roads to chilly slush, and the spatter of it has streaked horse and rider thoroughly long before they've made their way to the spot marked on the map and discovered the ruins in question are set further beyond the scrubby, barren spate of trees. One crumbling tower is visible from the road, the only sufficient marker guiding them forward.WILDCARD.
So far, no one has been obliged to dismount. And once off the road, the chance of mud splatter is greatly reduced. Small blessings.
"Are we certain there's anything of value to be found?" Ellis questions mildly. It's a little late to abandon the venture, regardless of mud, snow drifts and dubiously accurate maps. But exactly what they're recovering could stand to be clearer. "Long lost valuables from the Viscount Aravind's forefather's collections" isn't as helpful as Viscount Aravind might have considered when lodging his request with Riftwatch.
( do literally whatever you want, i'm not the boss of you. )
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But not completely. There is a part where he remembers how to untwist the reactor from the centre of his chest. Its weight and odd warmth in his palm, pulsing, before—)
BANG BANG BANG.
Tony sits up as if powered by springs, hands poised. Sits there for longer, absorbing the familiar dimensions of his own Gallows room, the room he has in the Gallows, which is in Kirkwall, while banging rattles the door to his Gallows room in Kirkwall, adrenaline doing some kind of weird hiccuping spike that compels him to throw off the covers, grab a shirt, throw that over his head and struggle through it as he stumbles for the door. "What. Don't, you're gonna—"
He twists key in lock and flings the door wide, wildly disheveled and still sleep-stupid but conscious. "What kinda time do you call this?"
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The extreme dissonance of both knowing without question that he saw Tony yesterday and he looked much the same, and that he also witnessed Tony die not so long ago stalls Ellis for a moment. He hesitates over the threshold, eyes wide. His heart is beating very hard.
"I just—I thought—"
You died.
Ellis doesn't say it. The absurdity is catching up to him, even as the intensity of relief at realizing it had only been a dream nearly takes him out at the knees. Ellis puts a hand on the doorframe, exhaling hard.
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Because: oh.
Oh snap.
He stands in the doorway, processing in silence while Ellis catches his breath or fails to, gathering the wild kaleidoscope of dream-memory and shoving it into the context of this moment. "You too, huh," he says, and then his hands go out and rest on Ellis' shoulders. The guy's looking a little swoony, like maybe he went from a horizontal hours long sleep to running up four flights of stairs. That's a lot to ask of your blood pressure. "Hey. We're good. You're okay."
Read: he's okay, but there is something to all of this he doesn't quite wanna touch with his fingers yet.
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But this time, that particular truth doesn't slip away from him.
"I woke you up," he says instead, embarrassment creeping in around the edges of this reunion. Tony's hands are warm and his face has color in it and he is upright without swaying or grimacing. It is both miraculous and absolutely unworthy of marveling over. Already the stretch of time has grown hazy, though certain things remain fixed in his head. "I'm sorry, I...I had to be sure."
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And then he smiles, suddenly and toothy, a moment of laughter detaching itself from him, borne of a place of delayed relief. He shakes Ellis a little along with it, like maybe he can transmit this sudden sensation into him through his hands. "Hey! We did it. Or—you did it, you guys, everyone, fought the minotaur in the labyrinth or whatever the hell. You wanna—"
He gestures behind him. "Or we can get coffee downstairs." He does not look like a man, all of a sudden, who strictly needs coffee.
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Rather than agree, Ellis breathes out a low chuckle. Yes, it had been a terrible dream. And whatever it had been, the only thing Ellis was interested in is being sure it was a fluke, not a certainty.
"Olyvia and Varg have usually started breakfast by now," Ellis says, slow around the idea but not necessarily opposed. He straightens by degrees, pats down his front over undone laces, untucked tunic. "If you wouldn't rather go back to bed."
Though speaking only for himself, Ellis is fairly sure this isn't going to do anything for his own sleeping troubles.
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He grabs a jerkin to tug on, lace up high enough to cover the steady circle of blue light centred in his chest. He grabs from his bedside table a leather-wrapped notebook of kinds, loose leaf pages messy but secure, and emerges to clap a hand on Ellis' bicep. Allons-y.
"So what, did I miss anything? Like, after."
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"The Herald," Ellis says as they begin their descent. "I think the dreams were a warning."
And it occurs to him, very abruptly, that he's maybe the worst person to try and recount the discussions in that chamber. He should have paid closer attention, but all his thoughts had been elsewhere at the time.
"Wysteria probably remembers everything discussed."
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"Ten-four," he says, which Ellis can take to mean some form of agreement. "I'll hit her up if she's, you know." He slings around a landing, shrugs up at Ellis a few steps behind him. "Speaking to me."
He doesn't seem too worried about that, launching himself down the next flight of stairs.
"The Herald, as in, the Inquisition's mascot?"
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The two-fold patter of conversation leaves Tony with a beat of silence as Ellis considers both the question of the Herald, whom he realizes Tony may have less context for, and the question of Wysteria, who may still be angry with them both.
"Aye, the Herald. She died at Haven, years ago now," is the extent of what Ellis actually knows about the Herald. She'd lived and died at such a remove from Ellis' concerns that it had barely registered as important at the time and there had been other things to deal with since.
Then, more firmly, "Wysteria has no reason to be mad at you."
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It's true. He's never done anything wrong in his life.
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But to save himself from weighing in directly, Ellis says instead, "The Herald mentioned gates."
Because at this point, Ellis knows his friends well know to know what distracts. And there's more room to consider the matter now that Tony is alive and laughing and relatively safe.
"Things we needed to find, and protect."
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Can't hurt him here!! Can it! No it can't!
Now that they aren't in the winding spiral of the stairs, Tony lets Ellis catch up, patting a hand down onto his back in a reflexively friendly manner, and not because he needs him to hold him up, which is awesome.
"I remember the Gates," he says. "Talking about 'em, anyway. That's how they won, toppling the Gates. So, great, we start there, figure out the damn thing."
Easy peasy.
"She—say what they are?"
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"You've found one already," Ellis tells him, though the condition he and Wysteria had come back in during their time in Ghislain comes to mind more readily than the Herald's echoing voice. "Do you remember what you found in Ghislain?"
Something of an unnecessary question, all things considered.
But now that it seems inevitable that they will have to go back for it, Ellis is considering the details of the place in a wholly different fashion. It won't be an easy thing to deal with.