Entry tags:
open.
WHO: Ellis + OTA
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
WHAT: Dream aftermath and other miscellany.
WHEN: Post-dream, Wintermarch/Kingsway-ish.
WHERE: Gallows, etc.
NOTES: A handful of opportunities to bump into/corner Ellis post-dream. If you want something in particular, hit me up for a starter or just go ham in the comments.
GALLOWS
Normally, Ellis lays out his mending across Wysteria's kitchen table, well away from open flame or acid-based chemicals, but close enough to participate in the rise and fall of conversation between Wysteria and Tony and sometimes Fitz. It had become a comfortable routine.FIELD WORK
But the dream rattled something loose, enough so that Ellis has instead taken up space close to the fire with a small pile of items set on a stool to be repaired. Noose has made an appearance, claimed Ellis' booted foot as resting place for a lazy nap. Intermittent twitches and small yips punctuate the work.
He'd been whistling softly, but the song tapers to a halt at the approach of a third party. There's a beat of quiet, Ellis' eyebrows raising in silent question. There is a second chair, but surely Noose is the bigger draw between them.
"Aye?" comes slowly, prompting, as Noose slits open one eye to assess the newcomer before yawning almost comedically loudly in punctuation.
In his experience, Tantervale is almost always muddier than it should be. The passing snowfall has turned the roads to chilly slush, and the spatter of it has streaked horse and rider thoroughly long before they've made their way to the spot marked on the map and discovered the ruins in question are set further beyond the scrubby, barren spate of trees. One crumbling tower is visible from the road, the only sufficient marker guiding them forward.WILDCARD.
So far, no one has been obliged to dismount. And once off the road, the chance of mud splatter is greatly reduced. Small blessings.
"Are we certain there's anything of value to be found?" Ellis questions mildly. It's a little late to abandon the venture, regardless of mud, snow drifts and dubiously accurate maps. But exactly what they're recovering could stand to be clearer. "Long lost valuables from the Viscount Aravind's forefather's collections" isn't as helpful as Viscount Aravind might have considered when lodging his request with Riftwatch.
( do literally whatever you want, i'm not the boss of you. )
no subject
Suspicion rises with a static prickle after the pass of specificity to Ellis’ errand, tension present in bowstring poise. He is leaning very slightly back, away.
But Ellis has never ambushed him. Even with the ordeal of the chicken coop he’d been very clear. And now that he’s looking for it, there’s no imminent threat or anxiety to read into what his hands are doing. He doesn’t seem angry, or even unhappy.
So Richard nods, one sluggy eyestalk of trust emerging slow from the quivering ball of his mucus cocoon.
A steadying breath later, it occurs to him to follow with his feet. If it gets too uncomfortable, he can just excuse himself back to whatever errand he can’t remember what it was he was running.
no subject
"We don't have to talk about what happened," comes only after they've ascended the first flight of stairs, after Ellis has plucked at Richard's sleeve to steer him around the cacophony of merchants yelling over each other at each new arrival from the lower level.
Though Ellis knows certain things to be true. He isn't sure he's forgiven Richard, but Richard wasn't the only one making those decisions. Ellis would have made similar decisions. It was all a dream, regardless. It's complicated.
"But I need to ask you to do me a kindness."
Richard wouldn't be wrong to assume that kindness stands in for favor in that statement, though Ellis finds them interchangeable in this moment.
no subject
He agrees they don’t have to talk about ‘what happened’ with silence, even as the question of what did happen arises and is discarded.
It probably doesn’t matter.
There’s the but.
He looks up, just a glance, a shade wary through the whites of his eyes. His capacity for kindnesses is very limited, currently. He might prefer not to do any at all, offered the chance to sit and fester in selfish solitude for days or weeks or months. Surely this was apparent even before he was corralled into acknowledging Ellis’ presence at his side.
no subject
But still, the words come slowly while Ellis tries to think of how to frame the request. He knows what he's asking, but he isn't sure how to frame it. Or if he should be asking in the first place. Around them hawking and chatter rises and falls, business as usual even though it feels as if something should have shifted to accommodate what they'd all seen.
"Do you remember it all?"
Not a request, but give him time. Ellis is working his way to it.
no subject
Why does he want to talk about it here?
He cuts a glance away for eavesdroppers, and in so doing, makes them all the more conspicuous to anyone who might be so inclined.
no subject
Forget what we discussed is on the tip of his tongue. It is a struggle not to simple blurt it out, overeager and clumsy. Instead, he waits as they wind their way along the cobblestones, lets the urge quiet into something manageable.
"I owe you an apology," is the first attempt. Ellis hesitates in the wake of it, unsure of the words. "I burdened you, and I shouldn't have done. Dream or no."
It is a deliberate choice to focus on what he had imparted, not what Richard had shared in kind. If Ellis pauses too long to try and consider whether or not he's inclined to hold a grudge on Tony and Wysteria's behalf, this entire conversation grows more complicated.
no subject
There is often a particular specificity to Richard’s choice of words.
No different, here. The next look he exchanges over in aside is just as wary as the last, poise scuffed and rubbed thin beneath the suggestion of forgiveness in advance, still actively fraying at the fringes when he abruptly drops anchor. He stops walking.
The architecture of Hightown is crisp in the cold and snow. Dick scans the rooftops as if in search of a sniper over the narrow street, breath puffed unsteady from the billows of his fur-cloaked shoulders.
“I don’t think I can do this right now.”
He sets his eyes osprey bright back on Ellis.
This feels more courteous than just walking away.
no subject
"You don't have to."
Ellis is an easy man to disengage from by design. His request can wait, by and large because he doesn't expect Richard to be a man who gossips. (If he had thought Richard such a person, he wouldn't have sought him out in Ghislain, and certain other conversations wouldn't have followed.) And it's not in Ellis' nature to press him beyond that he's capable of bearing. Richard has never drawn anything from Ellis that he hadn't passed over willingly, and he deserves the same in return.
no subject
But it’s brief.
A twitched nod of agreement, unspoken apology thawing in through the frozen beat it takes him to unhitch, and he breaks away to clip off down the street. Back into the depths of the market, where the channels of bare cobblestone beat into the slush will eventually make his progress impossible to follow.